Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.


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Bernardo Bellotto Ruines de la Pirnaische Vorstadt a Dresde oil


Ruines de la Pirnaische Vorstadt a Dresde
Painting ID::  86198
Ruines de la Pirnaische Vorstadt a Dresde
1762-1763 Medium Oil on canvas Dimensions 80 x 112 cm (31.5 x 44.1 in) cyf
   
   
     

Bernardo Bellotto Canaletto oil


Canaletto
Painting ID::  88122
Canaletto
Oil on canvas Dimensions Deutsch: 136 x 214 cm cyf
Oil_on_canvas _ Dimensions_Deutsch:_136_x_214_cm_ cyf
   
   
     

Bernardo Bellotto Piazza della Signoria a Firenze oil


Piazza della Signoria a Firenze
Painting ID::  88305
Piazza della Signoria a Firenze
1742 Medium Oil on canvas Dimensions 61 x 90 cm (24 x 35.4 in) cyf
   
   
     

Bernardo Bellotto View of Praga with Bernardine church oil


View of Praga with Bernardine church
Painting ID::  88507
View of Praga with Bernardine church
1772(1772) Medium Oil on canvas cjr
1772(1772) _ Medium_Oil_on_canvas _ cjr
   
   
     

Bernardo Bellotto View of Warsaw from Praga oil


View of Warsaw from Praga
Painting ID::  88508
View of Warsaw from Praga
1770(1770) Medium Oil on canvas cjr
1770(1770) _ Medium_Oil_on_canvas _ cjr
   
   
     

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     Bernardo Bellotto
     Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.

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